

Golan Levin develops artifacts and events which explore supple new modes of reactive expression. Stern Architects in New York City EPIPHYTE Lab of Ithaca, New York.

Upon completion of his Masters thesis, Sandbox3D: Web App for Real-time Design Collaboration, he was awarded the Digital Design Prize for _“the most creative use of digital media in relation to the design professions.”_ Eddy Man has worked in the offices of POSCO A&C of Seoul, South Korea Robert A.M. While managing his practice in Hong Kong, Eddy Man taught graduate students at The University of Hong Kong Faculty of Architecture as a visiting design studio instructor and design workshops for Hong Kong Interior Design Association.Įddy Man received his Bachelor of Architecture from Cornell University College of Architecture, Art & Planning and obtained his Master in Design Studies at Harvard University Graduate School of Design, with a concentration in Design Technology. While holding the position of Technical Director, Eddy Man marketed for, managed, and delivered openUU projects that won four Best-of-Year Awards by Interior Design magazine and the 40-under-40 Award by Perspective Global magazine. Eddy Man is also one of the founding members of openUU, a design research agency based in Hong Kong. A technologist and futurist at heart, Eddy Man is interested in interdisciplinary efforts to mutually augment design and technology-especially as they relate to current trends in web technology. Fellowship to join Carnegie Mellon University School of Architecture faculty as a Visiting Assistant Professor for the academic year of 2014/2015. Spike holds a Master of Architecture from SCI-Arc and a Bachelor of Fine Arts from Carnegie Mellon University.Įddy Man Kim is an Assistant Teaching Professor in the School of Architecture at Carnegie Mellon University, where he serves as a Co-director of the Computational & Tangible Interaction Design Laboratory (CoDe Lab).Įddy Man is a designer, researcher, educator, and entrepreneur who was awarded the George N. Recent design projects include ‘Shadow’ an installation for the Mattress Factory Museum, ‘The Hurricane’ a temporary jazz club for the Hill House of Pittsburgh, and exhibition design for ‘Contrarreloj, Felix de la Concha’ at the Frick Art Museum. Spike’s work and interests are interdisciplinary in nature.


Spike assumed directorship of the wats:ON Festival in 2010 and has been instrumental in its revitalization, bringing an eclectic and diverse range of internationally acclaimed and emerging artists and their work to Carnegie Mellon.
#Nick cave artist mass moca series
In addition to her work as Artistic and Executive Director of the wats:ON Festival, Spike is Curator of the School of Architecture Lecture Series and has curated exhibitions for the Miller Gallery on Carnegie Mellon’s campus. Spike Wolff is Special Faculty in the College of Fine Arts and School of Architecture at Carnegie Mellon University. Nick Cave gave a talk about his work in a conversation moderated by Eric Shiner, Director of the Andy Warhol Museum. Cave received his MFA from the Cranbrook Academy of Art, and is Chair of the Fashion Department at the School of the Art Institute of Chicago. An exhibition of Cave’s work is planned for 2016 at MASS MoCA recent exhibitions include the Institute of Contemporary Art in Boston, the Denver Art Museum, the Peabody Essex Museum, and the Trapholt Museum in Denmark. Cave’s work is included in the collections of the Brooklyn Museum, the Hirshhorn Museum, the DeYoung Museum, the Museum of Modern Art in New York, and the Smithsonian Institution.
#Nick cave artist mass moca skin
Soundsuits camouflage the body, masking and creating a second skin that conceals race, gender, and class, forcing the viewer to look without judgment. Cave is well known for his ‘Soundsuits’, sculptural forms based on the scale of his body. NICK CAVE is an artist, educator, and foremost a messenger, working between the visual and performing arts through a wide range of mediums including sculpture, installation, video, sound, and performance.
